Fractures for Clarinet and Computer – dissertation/ PhD in Music Composition at University of North Texas

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds-Julie Licata’s dissertation contains interview transcripts conducted with me about my sound engineering/ technical assistance for our performances of Roger Reynolds’ Watershed IV.

In addition, I have published the following articles in the online magazine, Perfect Sound Forever:

Turning Pitch Into Rhythm: Henry Cowell and the Evolution of the Rhythmicon

The Enigma of Thymme Jones

Interview with Mark Fischer